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PhotoRESEARCHER |
PhotoRESEARCHER Newsletter for January Week Two # 448B |
KEY WORDS: | Digital photography | Kodak DCS 100 | McGraw-Hill | Textbook | Microprocessor | Technical | Mavica | Pixel | Scitex | Digital-Imaging | Fortune 500 | IRS Rules | Record-Keeping | Attorney | Tax Court | Revenue Agent | Internal Revenue Regulations | NEWSWORDS: | Invitation To Photobuyers | Those Sharing Photos | Lovers Not Fighters | Travel Alert | Too Close For Comfort | Online Sales Up | Now You Not Only See Them |
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Digital Photography in 1990
Advance Notes: Digital photography in 1990? Absolutely. In October 1990, at the Photokina trade show, Kodak showed the world’s first professional digital camera, the $30,000, 1.3 megapixel Kodak DCS (for "Digital Camera System") 100.
The 55-pound system that was the Kodak DCS 100 consisted of a Nikon F3 with a digital back, tethered to a large external pack containing the electronics, batteries, and external hard drive. And a few weeks earlier, just in time for fall 1990 classes, McGraw-Hill had published our college textbook, Computers & Society Impact! Naturally our coverage included the impact of computers on photography. Here are some excerpts from that 7-years-ago textbook, that are kind of fun to read today:
"Computers are electronic levers: they increase our power while decreasing our effort. Computerized cameras are a good example. Determining the optimum shutter speed and lens opening are complex operations, but today’s cameras can do these tasks for us. One 35 mm camera, the Nikon FA, even analyzes different parts of the scene, compares the pattern with 10,000 picture-taking situations stored in its memory, and bases its exposure decision on that. A number of cameras also provide microprocessor-controlled focusing to ensure a sharp image.
"With embedded computers handling exposure and focus, it might seem that there is no longer any role for the photographer. If that were true, we would no longer have to take vacations: just send the camera, and let it bring back the pictures. A photograph, however, is a selection of time and space, and the photographer still exercises full control over these; exposure and focus are just technical details.
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back in those days…
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"In time, electronics may change not only the nature of picture-taking, but the nature of pictures themselves. Several manufacturers are experimenting with cameras that do away with film. Cameras such as the Sony Mavica digitize the image and store it on tape or in a chip. Such an image can then be manipulated, pixel by pixel ("I’d like those gray hairs removed, please"); it can be combined with other images or transmitted electronically. But don't expect such cameras to put Kodak and Fuji out of business right away. Present models produce pictures that are too low in quality and too high in cost to tempt large numbers of buyers.
"If cost is no object, however, you can use a Scitex digital-imaging computer to manipulate a color slide so perfectly that the resulting fake is indistinguishable from an unaltered photo. Colors can be enhanced, elements shifted around, and people or other objects added to or removed from the picture. Despite a price tag ranging from $200,000 to several million dollars, digital-imaging technology is used regularly in national ad campaigns, glossy catalogs and brochures, the annual reports of Fortune 500 companies, and the pages of USA Today, Time,National Geographic, and other equally well-known publications."
We also included a few photos in the chapter, including one of PhotoStockNotes publisher Rohn Engh in front of his computer, with a Nikon F2 and the first edition of his book Sell and ReSell Your Photos nearby.
Want to read more of this article? Go To http://www.photosource.com/researcher/jan035a.html
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Victor Englebert |
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When You Lose Your Tax Records… IRS Rules Stretch Only So Far Advance Notes: As a general rule, the IRS okays deductions by stock photographers for business travel and entertainment expenses only if those outlays are substantiated by diaries or other "adequate records." But the IRS does make some exceptions.
Among other things, the feds will waive the record-keeping requirements and accept a “reasonable reconstruction" of your records when, according to the agency's administrative regulations, a loss of your records was "due to circumstances beyond the taxpayer's control, such as destruction by fire, flood, earthquake, or other casualty." Not surprisingly, those regulations include a cautionary reminder that whether an event was beyond a person's control depends on the particular circumstances. Consider, for instance, what happened in a dispute over write-offs for travel and entertainment that pitted the IRS against Joe Gizzi, who acted as his own attorney before the Tax Court. According to Joe, the government acted unreasonably when the examining agent refused to excuse him from the usual substantiation requirements. It seems that Joe had stored records of entertainment expenditures in his home and they somehow vanished after he voluntarily moved out because of marital problems. Unfortunately for Joe, that explanation got exactly nowhere with the Tax Court, which refused to treat the loss as caused by a casualty beyond his control. "Marital difficulties and their consequences, no matter how seemingly independent of the taxpayer's will, do not sufficiently resemble floods or fire to be considered a casualty," the ruling stated. Moreover, noted the court, even if marital problems provided a good excuse, Joe failed to furnish an adequate reconstruction of his records. Subsequently, however, in another case, the Tax Court had some second thoughts. It ruled that marital problems caused the loss to be beyond the control of Matthew Canfield, who also represented himself before the court, but did so with more success than Joe Gizzi. Here, the circumstances differed considerably. Unlike Joe, Matthew did not voluntarily move out of his home and leave his records; he departed because his wife obtained a court order requiring him to stay away from their dwelling. The wife either destroyed or burned his records during the time the couple was separated, and Matthew was unable to enter his home because of the court order. Note, though, that the Tax Court has no second thoughts where records disappear while a person moves his or her belongings to a new residence. It flatly refuses to allow reconstruction of such records. Still, sometimes the tax takers try to press things too far. To the surprise of no one but the IRS, the Tax Court relieved Raymond Jackson of the need to produce records that disappeared after he handed them over to a revenue agent during an audit. Result: Raymond was allowed to reconstruct what he spent on entertainment and managed to convince the judge that the disputed deductions were backed up by the lost records. *** Dear Mr. President, Internal Revenue regulations will turn us into a nation of bookkeepers. The life of every citizen is becoming a business. This, it seems to me, is one of the worst interpretations of the meaning of human life history has ever seen. Man's life is not a business. --Saul Bellow, Herzog (1964) Julian Block, a former IRS agent and a tax attorney, is the author of "The Stock Photographer's Tax Guide." For details on how to purchase this important 32-page publication: http://www.photosource.com/taxtips.php . For Julian’s tax saving and tax planning reports, go to http://www.photosource.com/products and click on “2004 Tax Tip Guides.” Julian can be reached at julianblock@yahoo.com .
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Edward Ewert
Watch
for developments in the field of stock photography in
PhotoResearcher's Newsletter Note: If the URL is long, it may extend to two lines. In that case - clicking on it won't work. Instead, "copy and paste" the URL. INVITATION TO PHOTOBUYERS. PDN's editors are conducting a Survey: The Real Costs of Digital Capture - a survey on how magazines manage digital capture. Photobuyers! PDN would like you to fill out a confidential survey. http://www.pdnonline.com/pdn/features/ THOSE SHARING PHOTOS. Why Photographers Hate Creative Commons - Creative Commons turned five years old -- five years of phenomenal growth, thanks in no small part to advocates like the photo-sharing site Flickr. An increasing number of photographers -- not just professionals but high-end hobbyists also -- have become disenchanted with the Creative Commons system. http://rising.blackstar.com/why-photographers-hate-creative-commons.html LOVERS NOT FIGHTERS. Kodak, Matsushita Settle Digital Camera Patent Fight - Eastman Kodak Co., the world's largest photography company, and Panasonic parent Matsushita Electric Industrial Co. settled a fight over digital-camera technology by agreeing to share their patented inventions. http://www.bloomberg.com/apps/ TRAVEL ALERT. Lithium Batteries Banned From Checked Bags. The international rule is intended to lessen the risk of lithium battery fires on airplanes. http://www.informationweek.com/ TOO CLOSE FOR COMFORT. More from Photographer of Bhutto Hit: "I Was Splattered with Blood" - Getty Images senior staff photographer John Moore witnessed the chaotic attack that claimed the life of Pakastini political leader Benazir Bhutto Thursday. Moore was just 20 yards away from the suicide bomb that killed more than 20 people. http://www.editorandpublisher.com/eandp/ ONLINE SALES UP. Protecting Brand Integrity Online: A New Approach - Good news: E-commerce retail sales in the US are growing at about 20 percent a year-six times the rate of growth in the underlying retail economy. Bad news: Online sales of counterfeit goods are growing at twice the rate of all online sales. At current growth rate, counterfeit goods will outstrip sales of legitimate goods online in 2010 about 3:1. http://pronet.nielsen.com/smallbusiness/content_display/ NOW YOU NOT ONLY SEE THEM . . . Image Source Invites You To Listen To Its Images - Image Source, the producer of royalty free stock photography, has launched an interactive CD and web tool that uses sounds, dialogue and audio effects to describe images in the company's collection. http://www.creativepro.com/story
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who is solely responsible for its contents. PhotoSource International
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The Video Shows You How See exactly how a photobuyer finds pictures by using the PhotoSourceBANK. Check out our brief video that shows researchers and photobuyers the simple and quick system that leads directly to photographers who have the pictures they need. Finding a specific content photo using the Internet.
#################### For PhotoResearchers Only Search for a photo search.photosource.com
#################### Want to read back issues of PhotoRESEARCHER Newsletter ? Go to http://www.photosource.com
#################### For photo researchers, the Internet has finally matured... Easy Photo ResearchSay good bye to long, harrowing, frustrating searches when you need an EXOTIC, UNIQUE, HISTORICAL, CELEBRITY, SCIENTIFIC, HARD-TO-FIND photo. Now you can use the Internet to quickly locate the source of a hard-to-find image, and save yourself tons of labor and time. And it's FREE. Here's how: Step 1: Using the popular search engine, Google, type in the words or phrase that describes the picture you need. Step 2: Then type a space (on the same line), and then the word, photosource. (We have a million and a half text descriptions of available photos.) Step 3: The source (or sources) of the photo you need will appear on your screen. You can be sure you will be dealing with a qualified photographer. Click on his or her name. When their page comes up, scroll down the page of text until you see your request highlighted in red. Step 4: Phone, fax, or e-mail the photographer and request a digital sample (or lightbox) to view the image choices. You deal directly with the photographer for payment for the use of the photo. No middleman fees. For a fast check on how this works, go to Google and type one of the following phrases into the search bar: To locate a particular town or village: Summerland Key, Florida photosource To find an exotic weed, or flower: Ageratum houstonianum photosource An historical event: Emperor Haile Selassie Lighting Bonfire photosource To find a geographical location: New Hampshire covered bridge photosource We’re seeing that the Internet can be a powerful tool for quick and easy photo research.
- Genoa Caldwell, Archivist,
#################### Melissa Welsh
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TRAVELERS ABROAD Photobuyers: Watch this column. For the e-mail address, phone or fax number of the traveling photographer, call the PhotoSource International office and ask for Rohn Engh (1 800 624-0266). For an expansion of this list: www.photosource.com and press the Travelers Abroad button, to learn of past international destinations of our photographers. Joan R. Saks Berman Andy Long Tina Manley Bert Hoferichter Phyliss Brauer
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448B |