James Kings

Roger Thompson

Lisa Jensen

Barb Wood
                                                    








PhotoRESEARCHER
PhotoRESEARCHER Newsletter
for August ## 431

FYI

Here's a short video to show you how to search and find a very hard-to-locate photo: http://www.photosource.com/video

 

KEY WORDS: | Fair Use | Poster | Keyphrases | Library Science | Conformity | Rights-Managed Model | Postal Service | Twenty Years Ago | Filing Time | IRS Computers | Permission Required? | Editorial Photography |


NEWSWORDS: | New Paper | Wide-Angle Zoom | Phishing Targets | Promote Books | Hispanic | Hunting Images | Professional | Aids | Photo Exhibition | Image Making | Digital Alterations | Tripods | Toddlers

Welcome to PhotoRESEARCHER Newsletter, a free monthly newsletter from PhotoSource International. <http://www.photosource.com/>

To sign up for our free photoRESEARCHER Newsletter, visit us online at:
http://www.photosource.com/
photoresearcher

(If you do not wish to receive the PhotoRESEARCHER Newsletter, please see the instructions at the end of this newsletter.)

Grateful Dead Book – Appellate Court Upholds Fair Use of Concert Posters


by Joel Hecker, Esq.

In my June 2005 column, I reported on a case in the United States District Court for the Southern District of New York, Bill Graham Archives LLC v. Dorling Kindersley Limited, which determined that use of thumbnail size visual art images of seven concert posters in a 480 page book, "Grateful Dead: The Illustrated Trip," was a fair use and not an infringement.

That decision has now been affirmed by the United States Second Circuit Court of Appeals. The Court wrote an in depth analysis of the transformative aspect of the case, which may be instructive for future situations.

__________________________________________________

The ultimate test of fair use is whether the copyright law's goal of promoting the Progress of Science and Useful Arts would be better served by allowing the allegedly infringing use than by preventing it.
_________________________________________________


As you will recall, defendants sought permission to use the images in the book to help make it the "definitive Grateful Dead history." Defendants had the blessing of Grateful Dead Productions for the project. Plaintiff responded by offering such permission, but only in exchange for significant additional usage rights to create CDs and DVDs from other material controlled by Grateful Dead Productions. That offer was, naturally, refused as was a further offer of a high license fee.

When the book was published with these thumbnail images, plaintiff claimed rights from three to seven of the images used. (There was a dispute as to whether plaintiff controlled the copyright to four of the images.)

NO CONFLICT WITH POSTER SALES

The Circuit Court did its own analysis of the fair use factors and agreed with the District Court that since the book was a biographical work and the use of the thumbnail size images did not supplant the market for the original work, the chronological order of the time line in the book added something new or "transformative" to the purpose or character of the images. Furthermore, this use did not adversely effect the plaintiff's market for the actual posters.

Want to read more of this article? Go to: http://www.photosource.com/researcher/legal137.html





 



Photos Are Words


Here at Photosource International we look at keywords and keyphrases from a perspective different than most. Subjectively, rather than objectively. The old school way to identify an image was by a “caption.” The present school is by a keyword(s). And since the Digital Age is telling us the future is here, the new school more precisely is by ‘keyphrases.’
Once users of the new search world on the Net realize they can look for very specific image content the same way they can search out a specific ethnic restaurant in a distant city, with keyphrases, keywording will advance to a new level.
Speaking of levels, buyers are getting to know they can please their clients because they can target their searches down to more specific layers (levels) than what was accessible by the old library science way of single-word searching. We’ve all experienced the amazing speed and near-precision of today’s search engines. And if you don’t find it on Google, you can try an assortment of other search engines.
And now comes the issue of typing in those keyphrases. Spellchecker software is fostering a situation where people today pay less attention to spelling correctly, the same way hand-held calculators made the previous generation less able to multiply and divide. Both buyers and photographers would do well in many cases to identify images sought or images available by using several spelling “variations.” How do you spell Ariondack Mountains? Or is it Aridondac? Because keywords may be misspelled by both buyer and seller, here are some suggestions for keyword/keyphrasing:
Rule #1. Use many words and phrases to specify each image, including various spellings of some key words. You never know how a supplier will spell them, and you want to be sure to catch the variation that they might enter. And don’t rely on Google to ask you if you meant “Adirondack.” You might miss finding that needed photo.
Rule #2 Be subjective. If you are using keywords from a thesaurus, dictionary, or keywording software, you can be sure that others are doing the same. The result will be over-use of the same standard keywords. Yes, use keywords and keyphrases that include standard emotions, identifications, nuances, but also include highly specific info about a needed image.

Want to read more of this article? Go to: http://www.photosource.com/researcher/gen708.html




 


Robert Jay Cranston



Part I

Stock: Stylistic Conformity


By Dale O’Dell

As a matter of necessity, photographers must be able to describe their imagery in as few words as possible; this aids the potential client in associating the artist with their works. When someone says, “Product photography,” or, “wedding photographer,” or, “photojournalist,” or even uses fine-art terms like “surrealist,” or “postmodernist,” it gives an editor an expectation of what the imagery looks like. But it’s more efficient if someone describes themselves as a “stock photographer,” because Stock is no longer merely a marketing technique, it’s an aesthetic. Not a good one either.

EARLY STOCK

Very early on, stock photos were unpublished outtakes from assignments. Not long after that, someone* thought that it would be profitable to generate original photography specifically for stock. Conceptually, it wasn’t a bad idea except for one thing: there’s nothing ‘specific’ about stock. A stock image supplier (that’s a ‘content provider’ in 21st century corporate-speak) doesn’t know who their client is, what kind of image they’re looking for, or how that image will be used. In order to satisfy this unknown and nonspecific image-user, imagery created for their potential use is markedly generic. After twenty years of production of this generic imagery for potential clients with unknown uses, we now have a market glutted with the most boring, generic, banal, derivative and unimaginative imagery possible. Sadly, this sort of imagery has become the benchmark for editors’ assessment of all new imagery.

A photographer calling him or herself a “stock photographer” is like a musician saying he specializes in Muzak!

Want to read more of this article? Go to: http://www.photosource.com/researcher/gen728.html







Can’t find that ZIP Code?

Easy Desktop
Postal Service

If you shop on the internet for your U.S. stamps, mailers, etc., here’s a site that may be helpful. You can download My Desktop Post Office at www.usps.com/smartbusiness . It’s an online shortcut that lets you pick and choose the U.S. Postal Services you use most at usps.com, and access them instantly. Create Direct Mail, find a ZIP Code, buy stamps, and more.


























CHANGES

Each month we report to you moves among, within and between: publishing houses, stock agencies, photobuyers, photo researchers, ad agencies, and design firms.

CHANTICLEER PRESS. Contact person, Ruth Jeyaveeran, Photo Editor. Former address and e-mail: 665 Broadway Ste 1001, New York, NY 10012, ruth@chanticleer.net; current address and e-mail: 341 W 38th Street, New York, NY 10018, djruj@yahoo.com.

Note: Will you help us keep this photobuyer list up-to-date? When you encounter a change of personnel or address, let us know and we’ll include it in this column. For your efforts and as our thanks to you, we’ll extend your subscription by an extra issue.







The Way We Were


Twenty Years Ago

From the Files…
Subject: DIGITAL PICTURES

Date: September 1986

Whatever happened to carbon paper? Once a mainstay in the company office, it has disappeared along with the ink well. Soon the telex machine will be retired and the emerging electronic mail via desk-top computers will take over.

What parallels loom in the photography/publishing industry? Just around the corner is a big revolution. Film-based pictures will be out and digital pictures in. While it won't happen tomorrow, all signs indicate you'll miss the boat unless you prepare for your cameras and your pictures to become antiques.

Film, as we know it today, will be going the way of tin and glass plates. The homework is in process, and the race is on in business and industry. The military, for example, already uses digital video cameras in its spy planes. The resolution (5,000 pixels) doesn't compare to film-based resolution (3 million pixels). But that's the kind of thing they were saying about home computers only a decade ago.

The impact promises to be monumental. According to most reports, Americans shoot 11 billion pictures a year and spend some $8 billion on cameras, film, photofinishing, and other film-related process and costs. Photofinishers get the largest chunk: $2.5 billion. Film makers get the next largest share: $2 billion. Both processes will be obsolete when digital pictures take over.

Want to read more of this article? Go to: http://www.photosource.com/researcher/07PG03.html








Filing Time Reminders

When tax time rolls around, most filers receive refunds. Just because you
receive one, does not mean your return passed muster with the IRS and you can forget about an audit. All it means is that IRS computers have checked arithmetic and other basic items.
So make sure to file away those checks and other records that back up deductions and other items, as well as a copy of your return. Keep your records at least until the statute of limitations runs out for an audit – generally, three years after the filing deadline. But the IRS gets six years to check if you understate your income by 25 percent or more. And there is no time limit if the IRS shows you failed to file or you filed a fraudulent return.

CAN YOU BE AUDITED

Despite what you may have heard, the risk of an audit does not decrease by
filing late, rather than early. All income tax returns, whether they are filed early or late, go through IRS computers that scan them for arithmetic errors and single out returns for audit on the basis of a top-secret scoring system. High scorers, as well as some Form 1040s chosen purely at random, are then scrutinized by the tax collectors to determine which ones should actually be examined. One important element in the selection process is how the amount of your itemized deductions compares with the total taken by others with comparable income levels.
If you later find errors of fact or judgment on your return it doesn’t need to cause you to break out in a cold sweat. A recalculation on IRS Form 1040X usually takes very little time, plus sending whatever money is involved if you feel you owe something. You can also use Form 1040X if you now discover that you overpaid.

Want to read more of this article? Go to: http://www.photosource.com/researcher/txtct85.html





Peter Hacker







Need the answer to a stock photography question? At our website >www.photosource.com/board< you'll find our Bulletin Board, called "The Kracker Barrel." Check it out. Our staff answers marketing questions; fellow photographers offer their input and experience. The following is a typical exchange.


When Is Permission Required?


Q. I just read a question answered by you about model releases of people in public. I have wondered about the same question. My specialty is creating shots that evoke a strong mood, and I need a human element to make the photo successful. My question is, I always thought that the rule was, "if the person is recognizable in the photo" you need a release. Alot of times I have shot pictures of people afar off, or as a silhouette, or with their back to me (so no parent or other person could threaten to sue me because they saw their son or daughter's face in a book or magazine without their permission). How do you avoid this from happening? If I remember what you said, if the picture is used for a book or magazine or newspaper and isn't being used for advertising, then a release is not required. I know that it may not matter to the photobuyer, yet again, if the parent sees the picture, could this pose a problem for the photobuyer as well as for me?

A. Ken, you recalled it correctly: "If the picture is used for a book or magazine or newspaper and isn't being used for advertising, then a release is not required." This is thanks to our constitutional right of Freedom of the Press.
As you well know, throughout history many regimes have let the public know only what they (the ruling regime) wanted the public to hear. (Stalin, Hitler, Tojo, Mussolini, and more recently, Saddam). It's a convenient way to run a totalitarian government.
The wisdom of our forefathers recognized how instrumental the guarantees for a free press are for sustaining a free way of life. This filters all the way down to everyday living, when reporting and displaying photographically. What is happening around us may sometimes be uncomfortable. As for a mother photographed spanking a child, or a drunk strolling down the street, or two lovers on a park bench. Our Freedom of the Press protects us, and sometimes embarrasses us. That's the way it is in a democracy.
Most photographers who enter the field of editorial photography from a commercial background (fashion, corporate, aerial, real estate, food photography, and so on) are surprised that their new field, editorial photography, knows no restrictions.
It's up to the PUBLISHER of a photograph to decide whether the picture might not be acceptable to his/her public, whether that might be in New York, Alabama, or California – where each location might have a different cultural outlook on the same subject matter.

Want to read more of this article? Go to: http://www.photosource.com/researcher/cb84.html


 





Watch for developments in the field of stock photography in PhotoResearcher's
PHOTOGRAPHY IN THE NEWS

`````````````````````````````````````````````````````
You'll be the first to know.

Note: If the URL is long, it may extend to two lines. In that case - clicking on it won't work. Instead, "copy and paste" the URL.

Minnesota Vikings BAN PHOTOGRAPHING injured players during practice. The team’s public relations staff have decided they’re going to try to take control of one of the aspects of the media they currently find distasteful, specifically: news photography.
http://www.nppa.org/news_and
_events/news/2006/08/vikings.html

PHOTOGRAPHER ARRESTED at police standoff. A newspaper photographer, who police allege crossed police lines after several warnings, was arrested and charged last week. A photographer for a Norfolk, Va., newspaper was arrested Thursday after she took pictures of a standoff between police and an armed suspect in a bank robbery in nearby Portsmouth, Va. Police allege that Sonya Hebert, 29, of The Virginian-Pilot, did not listen to officers who asked her to move away from the scene. "She had gone into a restricted area and was warned by our police several times to leave the area and when she did not she was taken into custody," said Portsmouth police spokeswoman Ann Hope. Hebert, was charged with two misdemeanors -- obstruction of justice and passing established police lines.
http://www.rcfp.org/news/2006/0725-new-photog.html

Twga Stock Photo Report Says Use Of Stock Photography And Illustration Is Up In Every Segment Tracked. TrendWatch Graphic Arts today released its Stock Photography Report, which indicates that despite the economic times, STOCK PHOTOGRAPHY is enjoying increasing demand and use. According to the report, use of stock photography is up in every segment that TWGA tracks (ad agencies, graphic designers, Internet firms, book and magazine publishers, catalogers, printers and service bureaus), and that all types of stock photography and illustration use are on the rise. And while demand for stock photography is up, expectedly interest in traditional chromes and slides is down in favor of digital images.
http://www.trendwatchgraphicarts.com/news/nr102402.html

What’s the the fastest selling SLR CAMERA of all time? The the EOS 350D? Not any more.
Canon has announced the next generation D-SLR featuring a 10.1 Megapixel CMOS sensor, new EOS Integrated Cleaning System, larger and brighter 2.5” LCD and 9-point AF. It’s the EOS 400D.
http://www.ephotozine.com/news/fullnews.cfm?NewsID=3243

September 16th is deadline for Editor & Publisher’s 2006 PHOTO OF THE YEAR Contest.
http://www.mediainfo.com/eandp/images/pdf/POY_CFE_Canon.pdf

Digital cameras outsell film cameras 15-1 according to this report. But a spokesman told PA: "There are a lot of professional photographers who buy cameras from duty-free stores so we are primarily catering to them in this case. "There's a hot debate among them over WHICH CAMERA is better and that will continue. As a result there will always be a market for the 35mm but it is an increasingly niche one." http://www.cnn.com/2005/TECH/08/09/britain.photography/index.html

StockPhotoFinder signs NewsCom; Launches unique SEARCH TOOL
http://www.abouttheimage.com/2006/08/
stockphotofinder_signs_newscom_launches_unique_search_tool.html


Freelance journalist jailed by federal judge. A freelancer was sent to prison by a federal judge for refusing to turn over to prosecutors an unaired VIDEOTAPE which might show evidence of the arson of a San Francisco police car. http://www.rcfp.org/news/2006/0801-con-freela.html .

Keeping It Real: Use PHOTOSHOP to create images that look like real interfaces for MP3 players.
http://www.creativepro.com/story/howto/24601.html

Photoshot Holdings has announced that they have merged with World Pictures, a british TRAVEL PHOTO library. This transaction comes right after the purchase and merger earlier this year with NHPA Limited, one of the world’s leading natural history photo archives and Stay Still Limited, a leading UK celebrity portraiture business.
http://www.ephotozine.com/news/fullnews.cfm?NewsID=3225

Simulate daylight, and other tips on producing prints that match what you see on your monitor.
http://www.creativepro.com/story/feature/24616.html


NEW LENS. Canon has announced its L-series standard prime lens, the EF 50mm f/1.2L USM. Sharing the widest aperture of any lens in Canon’s current EF range, the new model offers extremely fine control over depth of field and consummate low available light performance. It is expected to be popular with professional photojournalists.
http://www.ephotozine.com/news/fullnews.cfm?NewsID=3248

DesignMentor Training Publishes The Interactive Photography Exposure Wheel -
The DesignMentor TRAINING PHOTOGRAPHY Exposure Wheel provides f-stop and
shutter settings for a variety of outdoor shooting conditions and film
speeds. It has just been made publicly available and is free.
http://www.creativepro.com/story/news/24602.html

Digital photography: JPEG VS. RAW - The Digital Photography School weblog
has a post examining the pros and cons of shooting your digital photos in
JPEG versus RAW format.
http://lifehacker.com/software/digital-photography/
digital-photography-jpeg-vs-raw-196690.php

Kodak Rewrites The Book On Printing - Its new inkjet technology could
revolutionize the industry -- and revive the flagging icon.
http://www.businessweek.com/magazine/content/
06_36/b3999087.htm?campaign_id=rss_magzn

Native photographer documenting Fayette County in pictures - W. Keith
McManus McManus said that he enjoys taking photos because he's interested in
people, culture and SOCIAL ISSUES. One of his favorite assignments was to
photo document Pope John Paul II's first American visit.
http://www.phillyburbs.com/pb-dyn/news/103-08272006-703393.html

Hot jobs: PHOTOGRAPHER - The average annual salary for a typical
photographer in the United States is $45,314.
http://www.nwherald.com/BusinessSection/57942988082782.php

Katrina's surprising photo-artistry - "Water alone didn't do what happened
to these images," said Kiefer.. "Whatever that stuff was, it shifted the
EMULSION -- it caramelized it and texturized it. That's what made these
images so striking."
http://www.oregonlive.com/entertainment/oregonian/
index.ssf?/base/entertainment/1156368317230480.xml&coll=7

In Defense of WAR PHOTOGRAPHERS: Part II - The serious charges and wacky
conspiracy theories against the photographers, and their news organizations,
are largely unfounded, and politically driven, while at times raising valid
questions, such as what represents "staging."
http://www.editorandpublisher.com/eandp/columns/
pressingissues_display.jsp?vnu_content_id=1003052733

Chris



 

Next Month: Copyright’s “Fair Use”

 

Better Information


Send me information about how I can list a photo need. http://www.photosource.com/photoneed
1 800 223 3860
Yes, I want to subscribe to the (free) PhotoResearchers Newsletter https://www.photosource.com/
photobuyer /register.php

-_____1 800 223 3860
Tell me about the PhotoSourceGROUP gallery of stock photos and how I can get on-time delivery of images http://www.photosourcegroup.com/
QAphotobuyers

1 800 223 3860











Susan Degginger











######################
This week's featured photographer on PhotoSourceFolio: Steven H. O. Jones (http://folio.photosource.com/2822)
######################




















GOT A PHOTO NEED?
Send it to eds@photosource.com
(Just write up your photo listing in any way you feel clearly gets across what you need) or use our standard form at <
http://www.photosource.com/photobuyer/
request.php
>. It’s free. No charge.
Once you use our photo listing service, details of contact info, budget rouge, w/color, any specifics like “requests no phone calls,” etc., will be saved on your personal computer so you don’t have to re-type them when you make a photo need listing the next time.








Trying to Locate a Stock Photographer?

It’s easy when you use the PhotoQuikFind service of
Photosource International.
To locate a photographer and his/her e-mail:
In the Google search bar, type the person’s name, then
a space, and then the word, photosource
Their name will come up at the top of the Google search.
Click on their page and you’ll find a convenient
automatic e-mail messaging feature.
This is a service of Photosource International













######################
Want to see back issues of PhotoResearcher Newsletter?
You’ll find them here: http://www.photosource.com/researcher/
list.html

#####################


 




 

Sandra Zelasko

 

 




 

PHOTOBUYERS!
Send us your photo need by mail or : FAX: (800) PhotoFax (746-8632)
E-Mail: eds@photosource.com
Phone: (800) 223-3860
We invite you to browse our Web site:
www.photosource.com
Attn: PhotoDaily/PhotoLetter Editor
PhotoSource International
1910 35th Rd, Osceola, WI 54020
















TRAVEL WRITER?

Does your job allow you to travel – or would you like to travel because of your job?

Become a travel writer.
Visit some of the most breathtaking locations in the world absolutely free. And you’ll get paid to go!
Could you describe your travel experiences to a friend with passion and clarity? If so, you might well have what it takes to be a successful travel writer.

Look into this Ebook. It lays out a blueprint on how to become a successful travel writer.

To refer a customer send them to this domain name:
http://daisy501.wp3033773.hop.clickbank.net









 

Broadband on the Rise
Per the FCC, the number of high-speed Internet subscriptions in the U.S. was 50.2 million last year, representing a 33% rise. Further, there were more DSL subscribers than cable modem users. It's estimated that 42% of Americans had broadband access from home as of March, 2006, according to Pew Internet & American Life Project. How do we stack up against the rest of the world? We're twelfth. Interestingly, some of the countries with a higher ranking (ahead of us) include Iceland, South Korea, and Japan. Naturally, we have our excuses: those other countries have subsidized service, and some of those countries have concentrated population centers that are easier to service. And here's another factoid: The typical U.S. cable user pays about $12/month for each megabit-per-second of download speed. In France, it's $4.20, and in Japan only $1.73.

 

 

 

 

 

 

 

 

Look, Ma, Dinky Cavities!
Kodak, continuing to re-invent itself in the digital world, has acquired software from Northrop Grumman Corp. that will help dentists spot more cavities than the usual methods. It highlights possible abnormalities on digital X-ray images, prompting the dentist to take a closer look. I recently visited a dentist using digital X-ray equipment, which is supposed to limit X-ray exposure to significantly less than what a traditional X-ray machine would generate. The one thing that caught my attention was the 20" flat-panel monitor attached to an arm mounted on the dental chair, showing me an approximate 8" x 10" picture produced by the system. My first thought? "Wow, that should make it easier for the dentist to convince the patient of needed dental work." Yeah, I know, sometimes I think backward. So, is this new software intended to help patients, or help dental practices? What do you think?

 

 

 

 

 

 

 

 

 

 

Yahoo! Tech Site
The new home page for Yahoo! includes a button for "Tech" on the left navigation sidebar (or the "Yahoo! Tech" button on the top of the new Yahoo! page), which can also be accessed directly via http://tech.yahoo.com. It's supposed to "help consumers research, purchase, and learn to use technology products." There are many categories, including cell phones, laptops, digital music players, home office, and networking. That is, if you can get past the advertisements (Hint: Yahoo! said that all advertising inventory is sold out for their three-month site-launch period.) Still there may be valuable information at the site. Let us know what you think. Oh, and you'll likely need a broadband connection, as the site is heavily loaded with graphics and animation.









 

 





Is The Internet Too Expensive?
I guess that depends on where you live. We've all heard that the U.S. regulatory environment does not exactly foster cooperation and is often blamed for our being behind the rest of the developed world in many things electronic. For example, according to the Organization for Economic Cooperation and Development, a typical U.S. cable Internet user pays about $12/month for one megabit/sec of download speed per month. In France, the same download runs $4.20, and it's only $1.73 in Japan.

 

 

 

 

 

 

It's Always The Other Guy
"One bad apple can spoil the whole bunch," as the saying goes. One aspect of the so-called Net-Neutrality debate is that if the pipe owners (those who build and/or maintain the Internet backbone connections) get to charge users different rates for different speeds and/or capacity, then such ability could be used "inappropriately" to encourage or discourage certain groups from using the Internet. For better or worse, we can look at the U.S. tax laws. There, it says that (generally) places of worship do not pay property taxes. One reason, of course, is the doctrine of separation of church and state. If states could tax churches, states could (theoretically) exert influence over churches. On the other hand, lots of local tax revenue is lost, often on large parcels of land in valuable locations. What's that got to do with the Internet? Just as certain parts of the population receive special advantages, so could certain parts of the on-line community. Those that could pay for higher speeds and/or greater bandwidth could get it, but only at the expense of other users. In 2003, 78% of Comcast's entire bandwidth was used up by only 6% of their subscribers. That leaves 22% of bandwidth for the other 94% of subscribers. As it is now, that 6% competes on even ground with the 78%. Each has the same chance of getting their data through the pipe as the other. But what if that 6% could pay a higher fee and get preferential Internet routing so their data would travel the pipe before the other 78% would? What percentile would YOU want to be in? And how would you feel if the price of admission was too high for your budget?


Bill Hopkins is the Webmaster of PhotoSourceFolio* (www.photosourcefolio.com) and a regular contributor to PhotoStockNotes. Send comments via e-mail to wh@photosourcefolio.com. Fax: 1 818 831-0916. For on-line questions, contact Bill on the Kracker Barrel at www.photosource.com/board.

*Display 6 of your own images for photobuyers to view, on your page on the PhotoSource website.



 
















Peter Heimsath




 

#########################

PhotoRESEARCHER Newsletter is a free newsletter for photo researchers. It features carefully researched coverage of trends, methods and the latest information that can help you in your photo research. Feel free to forward this issue of the PhotoRESEARCHER Newsletter to fellow photo researcher friends.

###########################

To sign up for our free photoRESEARCHER Newsletter, visit us online at:
http://www.photosource.com/
photoresearcher

To cancel your free subscription, send email to:
eds@photosource.com or call 800 223 3860 extn 21
with "PhotoRESEARCHER Newsletter UNSUBSCRIBE" as the subject line.

#########################

Hard to find qualified photographers? They're reading our weekly newsletter, PhotoStockNotes. Reach them cost effectively at. . . http://www.photosource.com/psb


Now you can search back issues of PhotoRESEARCHER Newsletter. On your Web browser go to: http://www.sellphotos.com/search
/prsearch.html
then type in your keyword.


Reproducing or copying photoRESEARCHER Newsletter for non-private purposes is not permitted without written consent of the publisher, except for review purposes where source credit is given.


## PhotoRESEARCHER Newsletter monthly newsletter is produced by PhotoSource International, Rohn Engh, Director, who is solely responsible for its contents.
For information about PhotoSource International:
http://search.photosource.com


To make a photo listing:
(no charge)
1 800 223 3860 or 1 800 624 0266
ask for Lela LaBree
eds@photosource.com

###########################

431