This part of our web site is devoted to persons who are starting out or
starting over in the field of editorial stock photography. Stock Photography
101 is a free resource provided by PhotoSource International.
If you have questions, or would like to suggest future topics for Stock
Photography 101, please contact Mike Karlsson <make my name a clickable
e-mail link that leads to mike@photosource.com>
You’ll find this section helpful in making you aware of what you
need to know to successfully break into the editorial stock photography
field.
There are many benefits to setting up your own part-time or full-time
business as an independent editorial stock photographer.
Live anywhere. No need to live in Manhattan or downtown
Los Angeles or Chicago to be close to the markets. They’re as close
as your mailbox or your computer. You can work entirely by mail or e-mail,
entirely at home, and still score in the wide world of markets open to
you. Whether your headquarters is a high mountaintop cabin in Wyoming
or a high-rise in Hartford, the markets will actually come to you through
this system.
Pick your hours. You can arrange your own schedule and
enjoy the flexibility of being independent. You can work at your stock
photography full-time or part-time. Since you are the boss, you decide
how much you want to work.
Be your own boss. Photobuyers don’t care whether
you’re an amateur or a pro, a housewife or a dentist. They’re
concerned about the quality of your photo and whether the content meets
their current needs. If you can deliver what they need, they will buy
and publish your photos.
Take paid vacations. You can pay for your trips through
assignments you initiate or by selective picture taking and picture placing.
If you enjoy travel, you’ll find you will be able to pick and choose
among all the trip opportunities open to you.
Earn more money. You will sell the same photos over and
over again. You’ll choose from scores of good-paying markets you
never knew existed, and you’ll enjoy working with them because they
constantly need photos in the subject areas you like to photograph.
See your pictures in print. You’ll be seeing your
photographs in national circulation, sharing insights and your views of
life in all its beauty, humor, discord, poignancy, delight, tragedy, and
fascination. Sometimes your picture will make a tangible social contribution;
sometimes it’ll be business as usual. But it will all be deeply
satisfying, with the gratification that comes from starting with a visual
idea and creating something entirely your own.
The System:
Eight Elements
There are eight elements in this photographer-proven system
for success. The Stock Photography 101 section will point
you in the right direction to discover how to put them into practice.
. You market your photos by mail or the Internet. No need to pound the
pavements with a portfolio.
. You distinguish between service photography and stock photography (photo
illustration). The service photographer markets his services – on
schedules that meet the time requirements of ad agencies, businesses,
wedding parties and portrait clients. The stock photographer markets his
photos – on his own timetable, selling primarily to books, magazines
and publishing companies of all kinds all over the country.
. You distinguish between good pictures and good marketable pictures.
The former are the colorful scenics, wildflowers, sunsets, silhouettes
of birds in flight, tranquil shots of the lake and pet pictures. These
are A-1 pictures, but in spite of the fact we see them everywhere in the
marketplace (on greeting cards, CD covers, posters, travel brochures,
magazine ads), you’ll learn why they’re terribly difficult
(and they can cost you money) to market yourself. You learn how to place
these pictures in the right stock photo agencies for you, who can market
them for you, for now-and-then supplementary income.
. For regular income, you sell your own good marketable pictures: photo
illustrations. You continue to take pictures in your interest areas, but
you learn how to turn a picture into a highly marketable shot, for sale
to book and magazine publishers.
. You look like a pro with first-class stationery, webpage,
labels, packaging, cover and query letters, and your photos.
. You determine your PS/A, your personal photographic marketing
strength/areas – and specialize.
Knowing how to do this will give you invaluable insight and powerful momentum.
. You focus on only a slice of the market pie. Not the whole pie. You
specialize.
. You determine your Market List, coordinated with your
PS/A. You don’t try to sell your pictures before you understand
how to market them. Selling happens naturally, after you do your marketing
homework. Once you develop a solid Market List, you cultivate the long-term
"Net Worth" of each buyer on your Market List.
. You find the market first, and then create for that
market, not the reverse. You choose markets that need pictures in the
subject areas you like to photograph.
Here at PhotoSource International we deal with dozens of photo editors
daily. As changes in online publishing and digital photography occur,
we’re the first to know. You get practical, tested information you
can put to work right away.
With Stock Photography 101 you’ll discover the
tools to be able to sell consistently to markets you enjoy working with.
The new markets you find will surprise you with their photography budgets
of $10,000, $30,000, and $70,000 a month (a month, not a year). "Are
these markets in New York, Chicago, and L.A.?" you might ask. No.
Times have changed. New York, Chicago, and L.A. are still the top market
areas for service photographers, but publishing markets for the stock
photographer abound all over the country, and now with the Internet, abroad.
You will learn how to tap these markets, and you’ll discover the
real excitement, the genuine exhilaration, of the venturesome process
of producing your pictures and sharing them through publication.
Onward. With today’s dramatic increase in the use
of images in the expanding number of new markets and special-interest
magazines, books, CD-ROMs, New Media, and websites, the satisfactions
and challenges have never been greater. You can be part of them.
The sky is the limit. Where you go with your stock photography is up to
you.
Stock Photography 101 will help persons -- from
newcomers to pros in other fields of photography -- who want to get into
editorial stock photography, and need operating and marketing know-how
to give them a jump-start.
In SP101, the reader will find information on all aspects of editorial
stock photography, with emphasis on the business side. This includes how-to
with regard to cameras, other equipment, film, marketing, packaging, labels,
promotional materials, and much more.
New information will be added on a continuing basis.
To continue your Stock Photography 101 course, Starting Out.